Because this is still at sketch stage, again, it doesn't really matter if I have a really rough area as long as I'm happy with it. Applying the Wave Warp Effect: In this lesson, we are going to apply that all important wave warp to our illustrations. The teacher's recommendation is shown until at least 5 student responses are collected. You can imagine James Bond being in a rather worrying situation with her puzzle. Now that has made a paste of the piece I will need we're going to rename it Muzzle, and we're going to hide that piece ready for later. We should see that if we put the layers back on, the tongue is covered nicely and the glasses look correct. What's happening here is that Wave Warp's 'pinning' feature is pinning the edge of the layer - not the flag object. Then we'll also give it that wet look, a bit of drool, a bit of slobber. With this muzzle piece, we're actually going to draw on up to the corner of the mouth, making sure that we get the nose detail here and the cute little muzzle spots. Now, rather than go back into the original Procreate file, which we can see inside the Hair Comp, which is this one, that broken egg shape, we can build a new layer inside After Effects. We also have our timeline at the bottom here. Let's take it down to five. You can just make it 72 for screen, that's going to be perfect. This is a simple, step-by-step exploration of using the wave-warp effect from After Effects on specific parts of your illustrations. I keep it at 300 ready for print just in case. One of my favorite new effects included in Adobe After Effects CS 5.5, CS6, CC, and Adobe Premiere Pro CC is the Warp Stabilizer. Try Adobe Stock and get 10 free images. Yeah. We're just going to fill that in using the Multiply. No one would ever know, but you've made that mistake before. We've got the general look and volume that I'm going for, and in the next stage, we are going to separate the layers and color them in. In the Sapphire Distort effects submenu. It's slower. If you already know how to do that, just skip to the time code on the screen now. We don't need to pre-compose that one if we don't want to. Once we apply the sine wave to those, they're going to be a beautiful waggly cloud in background. We're almost there, it's looking really good. I chose for my purples over here in the library with the eye dropper. The reason we will take a snapshot is so that if we move anything later on, we can show the snapshot and just realign it. Here you can see that the ellipse isn't handling this one very well. In the next lesson, we're going to be adding some detail to our Wave Warp players. In Premiere Pro (and in After Effects as well), effects on the top are applied first. Close off the mask by clicking again on the start point. Video. For the purposes of my design, and just for simplicity, I'm going to use the sine wave warp to make my dogs floppy parts flap. This little button is continuously rasterized and it can be a right pain when you're trying to animate with wave warps. All you need to do is follow along. So do upload them. Export your new animation as GIF and MP4 ready for upload. Let's take the width down, just a touch. New members: get your first 7 days of Skillshare Premium for free! Again, we can reset those. Let's go back to the Hair Composition. Press "Create" when you're ready, and that will come up with our Canvas. When you go back to your Skier, you have this beautiful detail all enclosed within the shape that you made. It's very good practice as well if you're an Illustrator working with animators. Next in our drop-down menu of wave type we have the square. Right-click the word “Position” and choose Separate Dimensions to reveal independent X and Y Position settings. We're going to do this by using the pen tool and the shape tools in After Effects. We get this kind of autocue style movement in there. If we turn the Muzzle back home and create a fill layer in the same color as the body, we are going to cover up this unsightly parts. Then we are going to take a snapshot. In this lesson, we're going to be exploring the Wave Warp Effect in After Effects. In this video, Kert adds the use of edge blur along with additional processing in Fusion. Now, this is the reason that I saved my lovely sketch layer here, see if I unlock it and I have a look at that, I can actually solo that layer so I can see the original wave, and if I un-solo it, I want to replicate this motion. The way Wave Warp works, it’s impossible to have a non-animating pinned edge. Jedenfalls hat mich interessiert, welches Ergebnis der Warp Stabilizer aus Premiere CS6 (gibt es erst ab CS6 direkt in Premiere) bringen würde im Vergleich zu dem aus After Effects. Now we play it like we can see that nice flat road you can imagine a skater or a really fast car speeding along and it's creating this cloud behind it. It's often easier to just create your artwork in Illustrator and import that to After Effects (you're still free to update your AI files while working on them in After Effects). Let's check it again with all the rest of the layers and turn off the sketch. Thinking about my illustration, looking at this lovely sine wave, and putting up the width a little bit, I was thinking of floppy things. I'm not quite sure why this is. Now it doesn't just look like beautiful smoke trails coming from the bottom. Let's make it nice and bright, Fuchsia. Let's call that drivin, I'm going to put dawg this time to make it more fun. Step 3: Adjust Parameter Click on the smoothness parameter and adjust it to the best setting for your video clip. All my files from the class are available in the 'Wave Warp Resources file' so you can work with those, although I really recommend following along with the whole class, from sketch to animation, to create your own unique, animated illustration. Now, if we go back to the previous composition, we'll see that effect happening over here and what we need to do is rotate it slightly so we get that slanted effect. Much better. Framing (it controls the look of the edges in the resulted clip). So let's reduce the size on that first of all. Click the layer. But in this lesson, we're going to look at using two effects to bring even more variety to your Wave Warp. Download. So I wanted it to look like the wind is coming from here. This means the 'left pinning' is having an effect on the left of the composition frame - away from your flag. Just something to think about when we go forward is that I'm going to need this muzzle piece as a little cover up for the end of the tongue. If we type 1,000 in there it's going to come up as 10 seconds. We can just tidy that up a little bit. Let's call that called Driving Dog animated. Then all we need to do is have a little bit of a fiddle with where it is so it starts and it ends in the right place, preferably where there's nothing. Kay Leathers, Illustrator/Designer for Motion Graphics. Remember, minus 25. See you there. The best thing about it, no keyframes. Now, we can use the Bend It to bend it either way. There we go. If not, stick with me I'm going to go through everything we need to start with the Wave Warp today. Click away to accept that entry. I'm going to call the Canvas Instagram, and I've got my pixels per inch at 300. Your assignment for today is to share your animated GIF that you make with me on the project gallery. You can produce various wave shapes, including square, circular, and sine waves. Now it won't play in your cover photo, but just select a nice part of the image. All the best with your animation journey. It might happen because you can't always predict these things when you illustrate your photo first. We can use CC Bend It in that way. Change the Wave Width to a minimum of 600, to create a single line across the screen. Each design that you create will require a different wave warp journey. Open that up. This is a simple, step-by-step exploration of using the wave-warp effect from After Effects on specific parts of your illustrations. We're going to give him some '80s Retro Aviator style sunglasses. This has got the tongue that I'm looking for, flopping around with the ears, good expression, and that one's great too, imagine that in my illustration, but I just want a bit more flop, and I just fall in love with this guy. Select the Pen tool, and we'll select the same fill as this shape. Again, we'll turn off the Color layer so we can see properly. 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